"Hitting Material" brings about a sympathetic response towards the portrayed 'innocent' homosexual victims. This causes the viewer to respond critically towards those being accused of homophobic related behaviour. This is enforced by characterisation, setting and selection of detail. Through the characterisation of the gay community the producer highlights the extent of damage caused to them by homophobic violence. For instance, the close up on Peter Paterson's facial scars evokes a powerful sympathetic response and also portrays his emotional torment through his almost fatal experience. Furthermore, the producer allows Paterson's sense of humour in the face of his devastating experience to shine through. He says, "they had to go into my neck and as you can see that's much tighter on that side, so I've had a little neck-lift there". The producer has specifically selected a larger airing time of Paterson and other homosexual victims. The producer portrays the selected homosexuals as innocent through their background and surrounding context. In particular, Paterson is characterised as having a strong bond within his family compared to other parents who are shown to have neglected their homosexual son. "Paterson's parents, in striking contrast to some others, have stood by their son unquestioningly". Through Paterson's description and the way his parents are depicted, the viewer is positioned to respond with a much more positive attitude towards his parents. Paterson explains: "But they loved me anyway, you know, because they just thought, oh, well, that's the way I am". Additionally, the interviewer characterises other homosexual victims as neglected and misunderstood.